Play It Again Sam Not in Casablanca

Black-and-white film screenshot of a man and woman as seen from the shoulders up. The two are close to each other as if about to kiss.
image accessed via Wikipedia

And the reply is: nobody. That line isn't in the movie. Nosotros go the full scoop from the website The Phrase Finder:

This is well-known as 1 of the most widely misquoted lines from films. The actual line in the flick is 'Play it, Sam'. Something approaching 'Play it over again, Sam' is commencement said in the movie by Ilsa Lund (Ingrid Bergman) in an exchange with the piano player 'Sam' (Dooley Wilson):

Ilsa: Play it in one case, Sam. For erstwhile times' sake.
Sam: I don't know what you mean, Miss Ilsa.
Ilsa: Play it, Sam. Play "As Time Goes By."
Sam: Oh, I can't recall it, Miss Ilsa. I'one thousand a picayune rusty on it.
Ilsa: I'll hum it for you. Da-dy-da-dy-da-dum, da-dy-da-dee-da-dum…
Ilsa: Sing it, Sam.

The line is unremarkably associated with Humphrey Bogart and subsequently in the film his character Rick Blaine has a similar substitution, although his line is simply 'Play information technology':

Rick: You know what I want to hear.
Sam: No, I don't.
Rick: You played it for her, you can play it for me!
Sam: Well, I don't call back I can think…
Rick: If she can stand it, I can! Play information technology!

(http://www.phrases.org.britain/meanings/284700.html)

And so at that place you accept it. Information technology'southward almost like hearing that Bugs Bunny never said, "What'due south upwards, Physician?"

The plot of the pic is quite nuanced and complex, taking place during 1942 in the metropolis of Casablanca, Kingdom of morocco, which is a magnet for refugees and shady agents on both sides of WWII because of its location on the coastline of Africa down from Gibraltar. I won't attempt to summarize the whole thing here, but it has a nice setup and a fascinating moral upshot. The setup is that Rick, the owner of Rick's Cafè, a gambling den and general meeting place for those in the know, had been madly in love with a woman named Ilse in 1940. He'd  met her in Paris right at the outset of the war. Okay. She'd idea at the time that her husband, a Czech resistance fighter named Victor Laszlo, had died in a concentration camp. When the husband showed up, live and well, she'd gone off with him without a word to Rick. Now, in the flick's nowadays, she's in Casablanca with said husband and runs into Rick there. The moral issue? Should Rick aid Ilsa and her husband to escape the Nazis by giving them false letters of transit, or should he just help the hubby get abroad and keep Ilse with him? (I'k oversimplifying madly here.) The husband actually knows that Ilse loves Rick and is willing to go out by himself. So what should Rick do? (I get a little irritated with the idea that information technology's upwardly to the two men to make the conclusion.) At the last moment, Rick makes [!] Ilsa board the plane to Lisbon with Laszlo, telling her that she would regret it if she stayed—"Maybe non today, maybe not tomorrow but soon and for the rest of your life". Well, and so!

In the story "As Fourth dimension Goes By" was Rick and Ilse's song–y'all know, "their" song. Information technology was written by the American songwriter Herman Hupfeld and was basically his only large hit, although I must mention that he was also the author of the immortal "When Yuba Plays The Rhumba On The Tuba." The song wasn't even written originally for the famous movie but for a flopped Broadway show titled Everybody'south Welcome that ran for 139 performances in 1931. It was then re-used in a never-produced play chosen Everybody Goes to Rick's which follows the same basic story line as the flick. In 1942 a story editor at Warner Brothers persuaded the producer Hall B. Wallis to purchase the film rights to the play, but no one at the studio expected much from it. They were certainly proven wrong!

I can't resist including here the actual first verse of the song which was omitted in the flick and is almost unknown. I think it sets upwards the ideas of the residue of the vocal very well, and am pitiful that Albert Einstein missed out on being associated so strongly with romance.

This solar day and age we're living in
Gives cause for anticipation
With speed and new invention
And things like fourth dimension
Notwithstanding we grow a trifle weary
With Mr. Einstein'south theory
So we must get downwardly to globe
At times relax, save the tension
No matter what the progress
Or what may yet be proved
The simple facts of life are such
They cannot be removed.

Here'due south the clip from the movie which includes the song but as well the context around information technology:

And, because I just can't resist, here's Hupfeld'southward other hitting:

Here are the lyrics as they appear in the film:

Y'all must think this
A kiss is only a kiss
A sigh is just a sigh
The key things use
As time goes past.

And when two lovers woo
They nevertheless say "I honey you"
On that you can rely
No matter what the futurity brings
As fourth dimension goes by.

Moonlight and love songs
Never out of appointment
Hearts full of passion
Jealousy and detest
Woman needs human, and man must have his mate
That no one can deny.

It'southward yet the same sometime story
A fight for love and glory
A case of do or dice
The world volition always welcome lovers
Equally time goes by.

© Debi Simons

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Source: https://www.debisimons.com/who-says-play-it-again-sam-in-casablanca/

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